![]() ![]() Cubist paintings presented images of real objects that were analysed in their constituents. Many pictures were painted just in one colour or with very few combinations of one colour.Ĭubists were not concerned with content as a means of communication to the viewer. They were concerned with modes of representation. Gombrich said of Cubism, ‘Cubism is the most radical attempt to stamp out ambiguity and to enforce one reading of the picture – that of a man-made construction, a coloured canvas … Cubism has sometimes been explained as an extreme attempt in compensation for the shortcoming of one-eyed vision.’Ĭolour was not important for the Cubists. These were instances, fragments of reality that were used to draw attention to the real world that was not in the canvas and to the material properties of the work of art. Thus they put newspaper clippings on the canvas. Cubists also used collage techniques to bring immediate reality in their works. ![]() The Cubists exercised this analysis and synthesis not just with forms but also with all the features and properties of the object such as its texture, its thickness and volume, front and rear views. The individual forms could be scattered over the canvas in a seemingly random fashion. The geometrical, constituting forms needed not to be set in the right place in order to re-from the object. The artists reduced natural forms to geometrical shapes and they reconstructed their images from these shapes. The forms of the objects were simplified in a geometrical way of representation. They re-composed the object from its constituting elements. Straight lines were mostly preferred instead of curved lines, but curved lines could be used as well to obtain the effects of analysis.Ĭubists used dissected objects and they built their compositions from the separated parts. ![]() Thus it was an art that emphasised much more line and form than colour. Cubist painters also abounded in Middle Europe, such as the group called ‘Skupina’ in Prague, Czechia.Ĭubist art was an art of design, of re-thinking of the basic qualities of form and line. Juan Gris died in 1927.Ĭubism was not a phenomenon that was limited to Western Europe. Synthetic Cubism was a later art style and painters worked mainly after the war in this way, from 1912 on. Hermetic Cubism dates from 19 in Picasso’s pictures. This period was mostly Juan Gris’ painting.Īnalytic Cubism worked mainly before the First World War, from 1907 to around 1911. Synthetic Cubism proceeded from abstraction to return to representation. In this phase, the objects were assembled again from their constituent parts to become often barely recognisable objects, but recognisable all the same. The third period is called Synthetic Cubism. For Picasso this was the culmination of the Cubist experiments. The figurative elements were now barely recognisable and Cubism practically reached abstraction. This was the mature form of the investigations and experiments of Picasso. The second phase could be called Hermetic Cubism. This was the learning and experimentation period of Picasso and Braque who analysed objects and figures into their constituent forms and re-arranged them on the canvas. The first phase is called Analytic Cubism. The trend was clear at an exhibition of Georges Braque at the Kahnweiler Gallery in Paris in 1908. #Analytic cubism art full#Cubism was founded with Picasso’s painting ‘Les Demoiselles d’Avignon’ of 1907, though this was not a Cubist picture yet in the full sense of the term. Cubism was a revolutionary movement in painting created by Pablo Picasso and Georges Braque. ![]()
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